1. |
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Suite compiled from the Bauyn Manuscript (ca. 1690)
- Louis Couperin (ca.1626-1661): Prélude
- Johann Jakob Froberger (1616-1667): Allemande (fait a Paris)
- Jacques Champion de Chambonnières (c. 1601/2 – 1672): Courante (“de Madame”)
- Louis Couperin: Sarabande
- Jacques Hardel (?-1678): Gigue (& Double)
with Julie Stalder, violone
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2. |
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Suite compiled from the Bauyn Manuscript (ca. 1690)
- Louis Couperin (ca.1626-1661): Prélude
- Johann Jakob Froberger (1616-1667): Allemande (fait a Paris)
- Jacques Champion de Chambonnières (c. 1601/2 – 1672): Courante (“de Madame”)
- Louis Couperin: Sarabande
- Jacques Hardel (?-1678): Gigue (& Double)
with Julie Stalder, violone
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3. |
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Suite compiled from the Bauyn Manuscript (ca. 1690)
- Louis Couperin (ca.1626-1661): Prélude
- Johann Jakob Froberger (1616-1667): Allemande (fait a Paris)
- Jacques Champion de Chambonnières (c. 1601/2 – 1672): Courante (“de Madame”)
- Louis Couperin: Sarabande
- Jacques Hardel (?-1678): Gigue (& Double)
with Julie Stalder, violone
|
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4. |
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Suite compiled from the Bauyn Manuscript (ca. 1690)
- Louis Couperin (ca.1626-1661): Prélude
- Johann Jakob Froberger (1616-1667): Allemande (fait a Paris)
- Jacques Champion de Chambonnières (c. 1601/2 – 1672): Courante (“de Madame”)
- Louis Couperin: Sarabande
- Jacques Hardel (?-1678): Gigue (& Double)
with Julie Stalder, violone
|
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5. |
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|
Suite compiled from the Bauyn Manuscript (ca. 1690)
- Louis Couperin (ca.1626-1661): Prélude
- Johann Jakob Froberger (1616-1667): Allemande (fait a Paris)
- Jacques Champion de Chambonnières (c. 1601/2 – 1672): Courante (“de Madame”)
- Louis Couperin: Sarabande
- Jacques Hardel (?-1678): Gigue (& Double)
with Julie Stalder, violone
|
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6. |
Fr. Couperin I - Prelude
02:07
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François Couperin (1668-1733):
Sixiéme Prélude [from L’art de toucher le clavecin, published 1716/17]
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7. |
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François Couperin (1668-1733):
Allemande “L’Exquise”
[from the 27ème Ordre, Quatrième livre de pièces de clavecin, published 1730]
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8. |
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François Couperin (1668-1733):
Les Chinois
[from the 27ème Ordre, Quatrième livre de pièces de clavecin, published 1730]
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9. |
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François Couperin (1668-1733):
Saillie
[from the 27ème Ordre, Quatrième livre de pièces de clavecin, published 1730]
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10. |
Bach - Prelude
03:15
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Johann Sebastian Bach (1685-1750): Prelude in E flat and Fugue in D sharp minor [from the first book of the Wohltemperirte Clavier, 1722]
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11. |
Bach - Fugue
05:25
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Johann Sebastian Bach (1685-1750): Prelude in E flat and Fugue in D sharp minor [from the first book of the Wohltemperirte Clavier, 1722]
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12. |
Shostakovich - Prelude
02:42
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Dmitri Shostakovich (1906-1975): Prelude and Fugue in F minor [from 24 Preludes and Fugues, Op. 87, 1950-51]
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13. |
Shostakovich - Fugue
03:23
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Dmitri Shostakovich (1906-1975): Prelude and Fugue in F minor [from 24 Preludes and Fugues, Op. 87, 1950-51]
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14. |
Carman's Whistle
06:55
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“The Carman’s Whistle”
Anonymous / William Byrd (1539/40-1623) / Panos Iliopoulos (arr.)
arrangement for harpsichord, tenor gamba, violone and percussion
with Asuka Sumi, tenor gamba;
Julie Stalder, violone;
and Mauricio Ramirez, irish percussion and drums
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Panos Iliopoulos Amsterdam, The Netherlands
Early and modern keyboards, from harpsichord to jazz piano and electronics.
Browse the site for various recordings of my compositions, improvisations and performances.
If you like Panos Iliopoulos, you may also like:
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From harpist Sarah Pagé comes an album that feels like a fairy tale, full of mystic beauty and gentle, fluttering melodies.
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This collaborative album considers the notion of time, with each of its electroacoustic tracks unfurling at a measured pace.
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Spektralkompass - Sterbendes Hertz
by Håkon Thelin
Composer and bass player Håkon Thelin aims to cut to the essence of the double bass by focusing on technique with these contemporary pieces.
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Noise à Noise 23: Noise vs. Silence (Vol. I-IV)
by Various Artists
A four-volume experimental compilation serves as protest music for modern-day Iran.
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