1. |
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John Dowland (1563-1626):
"Flow my tears"
Sophia Patsi, voice
Asuka Sumi, violin
Julie Stalder, viola da gamba
Maximiliano Segura Sánchez, cello
David Mackor, lute
Panos Iliopoulos, arrangement, improvised diminutions on the organ
LYRICS:
Flow, my tears, fall from your springs!
Exiled for ever, let me mourn;
Where night's black bird her sad infamy sings,
There let me live forlorn.
Down vain lights, shine you no more!
No nights are dark enough for those
That in despair their last fortunes deplore.
Light doth but shame disclose.
Never may my woes be relieved,
Since pity is fled;
And tears and sighs and groans
my weary days my weary days
Of all joys have deprived.
From the highest spire of contentment
My fortune is thrown;
And fear and grief and pain
for my deserts for my deserts
Are my hopes, since hope is gone.
Hark! you shadows that in darkness dwell,
Learn to condemn light
Happy, happy they that in hell
Feel not the world's despite.
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2. |
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Girolamo Frescobaldi (1583-1643):
Canzona 8 ”L’Ambitiosa”
Maximiliano Segura Sánchez, cello
Panos Iliopoulos, harpsichord
With an improvised introduction based on / inspired by "Τα παιδιά της γειτονιάς σου"
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3. |
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Philipp Friedrich Böddecker (1607-1683):
Sonata sopra la Monica
Maximiliano Segura Sánchez, cello
Asuka Sumi, violin
Julie Stalder, violone
Panos Iliopoulos, harpsichord, improvised diminutions
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4. |
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Philipp Friedrich Böddecker (1607-1683):
Violin Sonata
Asuka Sumi, violin
Maximiliano Segura Sánchez, cello
Panos Iliopoulos, harpsichord
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5. |
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Johann Jakob Froberger (1616-1667):
Capriccio VI, FbWV 506
Panos Iliopoulos, harpsichord
Maximiliano Segura Sánchez, cello
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6. |
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Georg Muffat (1653-1704):
Sonata for violin and basso continuo
Asuka Sumi, violin
Maximiliano Segura Sánchez, cello
Panos Iliopoulos, harpsichord
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7. |
Improvised Suite
10:07
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Improvised suite in baroque style
on a bass line by Miklós Spányi
Panos Iliopoulos, harpsichord
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8. |
Panos Iliopoulos - KHAON
09:28
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Panos Iliopoulos (1984-):
"KHAON" for harpsichord, celesta, harmonium and live electronics
Panos Iliopoulos, spinet, celesta & harmonium
Gunnar Gunnsteinsson, sound
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9. |
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John Dowland (1563-1626):
"Flow my tears"
Sophia Patsi, voice
Panos Iliopoulos, piano & arrangement
Pedro Ivo Ferreira, double bass
Nick Thessalonikefs, drums
LYRICS:
Flow, my tears, fall from your springs!
Exiled for ever, let me mourn;
Where night's black bird her sad infamy sings,
There let me live forlorn.
Down vain lights, shine you no more!
No nights are dark enough for those
That in despair their last fortunes deplore.
Light doth but shame disclose.
Never may my woes be relieved,
Since pity is fled;
And tears and sighs and groans
my weary days my weary days
Of all joys have deprived.
From the highest spire of contentment
My fortune is thrown;
And fear and grief and pain
for my deserts for my deserts
Are my hopes, since hope is gone.
Hark! you shadows that in darkness dwell,
Learn to condemn light
Happy, happy they that in hell
Feel not the world's despite.
|
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Panos Iliopoulos Amsterdam, The Netherlands
Early and modern keyboards, from harpsichord to jazz piano and electronics.
Browse the site for various recordings of my compositions, improvisations and performances.
If you like Panos Iliopoulos, you may also like:
Of Shadow and Substance
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A disquieting, yet serene, reflection on industrial decay from the experimental New York-based composer.
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A theatrical change of pace for the Australian double bassist, vocalist, and composer; neoclassical splendor with a cathartic undertow.
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Impossible Worlds
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This stunning two-part work from classical guitarist Kevin Daniel Cahill is suffusive ambient that aims for transcendence.
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From harpist Sarah Pagé comes an album that feels like a fairy tale, full of mystic beauty and gentle, fluttering melodies.
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This collaborative album considers the notion of time, with each of its electroacoustic tracks unfurling at a measured pace.
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Spektralkompass - Sterbendes Hertz
by Håkon Thelin
Composer and bass player Håkon Thelin aims to cut to the essence of the double bass by focusing on technique with these contemporary pieces.
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Noise à Noise 23: Noise vs. Silence (Vol. I-IV)
by Various Artists
A four-volume experimental compilation serves as protest music for modern-day Iran.
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